Friday, September 30, 2011

Greatest Singers of Hard Rock/Heavy Metal



Okay, this is one of those little subjective lists that literally hundreds of people have their version of. In fact, over the years, I've done a few of these lists of my own. Just for fun, I have compiled another one here, for this blog. The names that appear on my list have been selected for their overall vocal ability, their position as a showman or frontman, and their influence on heavy rock. The names are not listed in any order however. It would be way too hard to rank most of these guys/gals over or below the others. So, anyway, read on to see my picks and feel free to leave feedback.

1. Ronnie James Dio- A small guy with a huge set of lungs. Ronnie's ability to deliver consistent live performances and carry notes at high volumes for long periods of time, just might have been the result of his beginnings with the trumpet and French horn. From 1958 until his death in 2010, at the age of 67, Ronnie was a well-respected mainstay of the rock n' roll scene. Credited with popularizing the "metal horns" hand gesture; Ronnie flew the banner for hard rock and heavy metal at the front of Elf, Ritchie Blackmore's Rainbow, Black Sabbath, and his solo namesake, DIO.

2. Rob Halford- He just might have brought leather and studs to heavy metal fashion and that's not all he's renowned for. Rob Halford has been affectionately called, "The Metal God." Partly because his band Judas Priest were one of the first bands to accept the term heavy metal. Partly, because the guy has a vocal range like no other. If you want to hear a human being sing in a glass-breaking register, I urge you to check out Painkiller, Victim of Changes, Dream Deceiver, The Ripper, and Exciter.


3. King Diamond- King Diamond just might be the father of Black Metal. He was rocking corpse paint before there was such a thing, holding a microphone stand made of bones, and singing about horror stories and the occult in a mighty impressive falsetto in the early 1980s.

4. Ian Gillan- Ian is insane. I mean that in a good way. I have never heard an individual sound so insane. He layed the blue print for the heavy metal high-pitch scream. Just ask Rob Halford and King Diamond. If you want to hear someone wail like no human can, check out Child In Time, Into the Fire, Speed King, and Bloodsucker as a member of Deep Purple. Also, his album with Black Sabbath, Born Again, is intense to say the least. Disturbing the Priest, Trashed, and Zero the Hero are killer.

5. David Byron was an underrappreciated talent. Without him, Uriah Heep could never recapture the fire they had on classics like Look At Yourself, Demons and Wizards, Salisbury, Very Eavy' Very Umble', and The Magician's Birthday. The man had pipes and showed it on classic tracks like: July Morning, Gypsy, The Wizard, Bird of Prey, Sweet Lorraine, Look at Yourself, and Easy Livin.'


6. Freddie Mercury- Mr. Mercury brought a certain sophistication to what he did lyrically and possessed a vocal range that could go from an operatic high to a low gravelly grunt. Couple his vocals with his flamboyant stage persona and you have one of the greatest live acts of all time. Queen died with him.

7. Graham Bonett- Graham never wanted to sing hard rock and heavy metal. He began as a singer of R&B, pop, and soul. Perhaps his first hit was Only One Woman, as a member of The Marbles. However, when Ronnie James Dio left Rainbow, Ritchie Blackmore scooped him up as the new lead singer. The union only lasted one album but it was a memorable one. Rainbow scored their biggest hit ever with the Russ Ballard-penned, Since You Been Gone. Despite his short time in Rainbow, he fell in love with heavy music and went on to sing for the Michael Schenker Group, Alcatrazz, and Impellitteri.

8. Sammy Hagar- Sammy is a guy who couldn't sell records in his younger days. Yet, as result of his killer live performances, packed arenas and auditoriums everywhere. He sang in one of America's first heavy metal bands, Montrose. After he split from Montrose, he ran full force into a solo career that eventually made him a household name. After years of hard work and after finally achieving some sales, he joined Van Halen. He went on to be even bigger with the Van Halen brothers. Now, he fronts Chickenfoot and still delivers mighty vocals. The Red Rocker is a force to be reckoned with as a singer, guitar player, and businessman.

9. Klaus Meine- Klaus has fronted the Scorpions for 4 decades. The Scorpions remained a force of rock almost exclusively across the pond until the early 1980s. In fact, it took them quite awhile to get the attention they deserved. They began as a raw 1970s German heavy metal unit but it was the party-hearty MTV hard rock hit Rock You Like A Hurricane that solidified their global stance as a heavy hitter of hard rock music. Klaus has been noted as possessing a voice so soft that in the early days of the band he was routinely mistaken for a woman. It is my opinion that Klaus just might be the originator of the guttural scream that would become a mainstay in the 90s metal scene. He screamed like there was no tomorrow on the bands early releases, a price he eventually payed with a torn vocal cord. That didn't stop him however. After surgery he actually gained range!

10. David Coverdale- The classy English singer for Deep Purple and Whitesnake has one of the bluesiest vocal deliveries of any rock singer. In fact, now his voice is even bluesier. This is no surprise however, he is man whose influences come directly from good old southern blues. He entered Deep Purple after the departure of Ian Gillan and made three funky but heavy Deep Purple records that one really needs to hear to believe. Later he fronted Whitesnake, a straight-up blues rock unit. It wasn't until his late 80s rebirth as a glam band singer that Whitesnake got their credit but that's helped him return to playing Whitesnake tunes more akin to their earlier output. Once he grabbed the audience, he was able to persuade them over to blues hard rock and metal.

11. Glenn Hughes- David Coverdale's brother in blues with a little more of a funk edge, Mr. Hughes is another English powerhouse with a passion for bass guitar. He just might be the only bassist out there however, who sings even better! He's fronted Trapeze, shared vocal duties with Coverdale in Deep Purple, sang for Tony Iommi's Seventh Star and Fused projects, and has now taken the mic for Black Country Communion. In England he's known as "The voice of rock."

12. Iggy Pop- With a voice that seems to have really loved Elvis as a young rock n' roller; Iggy has been called one of the originators of the heavy metal attitude as well as "The Godfather of Punk." Only, Iggy Pop sings way too good for punk by the modern definition. He's an overlooked vocalist and songwriter who now, in his 60s, seems to be getting the respect he deserves.

13. Meatloaf- Famous for the voice of Jim Steinman's music, Meatloaf always brought an operatic approach to rock music. No one can deny that in his prime, Meat was one of the greatest voices around. Today he still rocks it in the studio but years of touring with songs of great length have made the live performances harder to pull off.

14. Peter Steele- Steele was a darkly comedic man with a life-long hate of life. Fortunately for us, his pain and anger translated into some of the most beautiful metal performances of all time. With Carnivore, he sang and screamed better than anyone in hardcore and thrash. With Type O Negative, his deep bass delivery could sometimes depress you, excite you, make you scream, make you cry, and make you feel like makin' love all in one song. The man was gothic personified and I don't mean those mall goth kids with trip pants and eye-lid piercings. He was a dark tortured soul crying out and conquering demons with bass in hand and microphone in front. Sadly, he passed away of heart failure at age 48.

15. Arthur Brown- Known as "The God of Hellfire." Arthur Brown conquered both sides of the Atlantic in 1968 with the smash hit, Fire. Brown possesses a vocal range of over 4 octaves. Peter Gabriel, Marilyn Manson, Bruce Dickinson, and King Diamond have all confessed their love of the man at some point and he's made guest appearances on several different projects, including: Hawkwind, The Alan Parson's Project, Bruce Dickinson solo, Klaus Schulze, Curly's Airships, and All Living Fear.

16. John Lawton- John fronted Lucifer's Friend and Uriah Heep and just might be one of the most overlooked vocalists alive today. The man has talent and it's a great shame he was never able to gain more noteriety. Ride the Sky by Lucifer's friend just might contain one of the greatest vocal performances in hard rock history.

17. David Bowie- David Bowie rules. He's a musical chameleon and sings just about any genre he's done with pefection. He possesses a rich baritone voice pefect for rock n' roll and he just might be the most emulated voice in punk, new wave, and gothic rock. He started with a British Invasion self-titled record, moved on to early Heavy Metal, then glam rock, then art rock, blue-eyed soul and jazz, electronic, dance pop, hard rock, industrial rock, and finally just plain old rock. Jeez, talk about a guy with a personality crisis. Don't forget he also changed his appearance with every musical change. British long-hair rock n' roller, drag queen, space alien, sexually ambigious art form, big band swinger, clubber, fashionista, gothic industrial rocker, and seasoned rock vet. The many faces of the amazing Mr. Bowie.

18. Dee Snider- Dee has a voice made to sing rebellion. A voice made to piss off the establishment. Well, he did it. As the singer of Twisted Sister he made the filthy 15, tackled the PMRC in court, and lived to rock another day. We're Not Gonna Take it is the timeless song of any generation and his voice sings it the best.

19. Phil Mogg- Phil Mogg is another overlooked gem of a singer and songwriter. He writes some of the best vocal melodies in the biz and as the frontman of UFO, gave hard rock and heavy metal one of its most melodic but heavy bands ever. His voice is easy to distinguish from the hard rock lot and few can catch a melody and ride it like he can.

20. Paul Stanley- It's my money that he's the musical genius behind KISS. Sure, Gene Simmons has the image and the business sense, but Paul Stanley is one hell of a singer. He probably sings 3/4 of KISS's greatest tunes. Not to mention he produced the most worthwhile of the individual members' solo efforts. He can sing reasonably high in his natural voice and gives slow songs a real kick that most lack.

21. Jack Bruce- Jack Bruce is the mighty singer of Cream. I have always loved how Jack Bruce can sing atop guitar-heavy hard rock and then gradually dip his voice into a sensuous warble to end a chorus. Cream, in my opinion, just might have been the best rock export the United Kingdom had to offer in the late 1960s.

22. Rod Stewart- That's right, the pop singer. He wasn't always a pop singer though. As the frontman in the unforgettable late 1960s Jeff Beck Group and also The Faces, Rod Stewart really rocked. He rocked hard. His throaty crisp rendition of the Elvis Presely standard Jailhouse Rock on Beck-Ola is a killer vocal performance.

23. Joe Lynn Turner- Joe took over the vocal duties in Rainbow after Graham Bonett departed, once again proving Ritchie Blackmore knows how to find singers. Joe brought a poppier flare to the founders of power metal but he never compromised when it came to singing with the aforementioned power. His solo records are fantastic as well and his sole record with Deep Purple, Slaves and Masters, is an odd but enjoyable entry in the great bands legacy. His voice is smooth and so clean sometimes it's downright jaw-dropping. You rarely have a hard time catching the lyrics on even your first listen.

24. Doro Pesch- Doro Pesch is proof that power comes in small packages. The attractive, blonde, German singer can wail with the boys. She can sing high like any good power-metaller and she can sing very moving ballads. Just crank All We Are from her band Warlock and you'll see what I mean.

25. Jared Leto- Yeah, the actor. My girlfriend turned me on to his band, Thirty Seconds to Mars. Ordinarily it wouldn't have been the kind of band I'd have bought an album from. Then I heard this guy sing. All I can say is, "Why'd the music career not come before the acting?" He has a nice clean vocal delivery that lends itself not only to pop but to some good hard rock. He also packs alot of emotion into his choruses. Commendable indeed.

26. Tim "Ripper" Owens- Perhaps the best falsetto out there right now. He filled big shoes when he took over for Rob Halford in Judas Priest and he brought extreme vocal power to Winter's Bane and Iced Earth. Now he fronts Charred Walls of the Damned with Death drummer Richard Christy. He's a dead-ringer for a young Rob Halford, with an American accent just to separate him a little bit from his English hero.

27. Ian Anderson- This man, for over forty years, has sang his heart out and played the flute like a classical music master throughtout Jethro Tull's entire catalogue and live performances. You have to pat this guy on the back. For the entirety of a live show, he sings every word of a song and breaks only to solo on the flute. He's got a pair of lungs, that's for sure.

28. Derek St. Holmes- Yet another unsung hero of hard rock. Most people probably wouldn't even know it but, Ted Nugent was not the lead vocalist in the Ted Nugent band in those early days. It was this guy, Derek St. Holmes (Actually Meatloaf sang a few songs on Free-For-All). Derek has a voice that just shouts classic rock. He was the perfect compliment to Nugent's guitar playing and even though he really hasn't done a lot of notable projects since, it's worth noting he's the guy that sang the amazing Stranglehold.


29. Anne Wilson- Ever heard Barricuda by Heart? Then you know just how much power this lady's voice has behind it. She's a stellar vocalist that has had every bit of influence on hard rock as her male peers. Dreamboat Annie and Little Queen are what the strong female voice is all about.

30. Phil Lynott- A poet with a microphone and a bass. Phil's vocals weren't the icing on the cake to Thin Lizzy's twin-guitar sound. They were the very soul. Whether he was singing a lovely ballad like Still in Love with You or soaring through a heavy metal tune like Cold Sweat, he always seemed to be singing with real feeling.

31. Michael Bolton- Before he was an adult contemporary crooner, he really rocked in the hard rock band BlackJack and his first two solo records. BlackJack reminds one of Bad Company with a harder guitar sound, the product of having Bruce Kulick (who would later join KISS) shredding away behind you. Songs like Heart of Stone and Welcome to the World really give one a sense of his vocal prowess. His solo record Everybody's Crazy is a nice hair metal/AOR album that really confuses folks that know him for his covers of 50s love song standards.

32. Gary Cherone- Gary knows how to sing. He always brings the funk to the hard rock and an attitude that gives the songs an extra boost of umph. Van Halen III should not be where you start and stop with this guy. Forget that ill-fated adventure and check out his Extreme days. Oh, and if you're aware of Extreme, the acoustic ballad More than Words isn't his best either. Unfornately for Gary he's been pigeonholed between the master failure of a horrible one-off Van Halen disc and the super success of a heavy-less ballad. When it gets down to it though, this guy can sing hard rock with real scope.

33. Matthew Bellamy- Matthew is the vocalist of the English pop/progressive/hard rock/symphonic rock unit Muse. Like UFO's Phil Mogg he can really write vocal melodies. Matthew grabs those melodies and rides them to finish with beautful falsettos and and his own killer guitar licks. He's a good guitarist and a tremendous singer.

34. Lemmy Kilmister- Lemmy is Rock N' Roll. Plain and simple. He bleeds Rock N' Roll. He sweats it. He comes from the school of Chuck Berry and Little Richard but somewhere along the way he seems to have swallowed a few razor blades. Or maybe it's just the Jacks and Cokes? The cigarettes? The speed? The strange women? Anyway around it, he has a very distinctive rough and gruff style perfect for heavy fast Rock N' Roll. He roadied for Jimi Hendrix. He played bass and sang on Hawkwind's most famous of songs. He sang for Sam Gopal. For the past 35 years he's flown the flag of Motorhead and he couldn't be happier. He was punk before it existed. He was heavy metal before Steppenwolf spoke it. He's as real as they come. While not a technically perfect vocalist, no one else should dare attempt to sing Ace of Spades, Killed by Death, The Watcher, Love me Forever, Overkill, Bomber, or God Was Never on Your Side. He's the only one who could keep up with those songs. He's also a tremendous songwriter. You know Ozzy's songs Momma I'm Coming Home, I Don't Wanna Change the World,  and Hellraiser? Yep, Lemmy wrote them.

35. Messiah Marcolin- Messiah was made to sing the doom and gloom. As the darkly mesmerizing vocalist of Candlemass, he delivered some fine high volume soaring vocals.

36. Bobby Liebling- As the singer/songwriter of Virginia's long-running doom metal unit, Pentagram, Bobby has been through the ups and downs. However, he's maintained a cult following and his songwriting has often drawn the attention of folks like Gene Simmons who wanted to buy him out! His voice is masculine and rough on the fast tunes and emotionally driving on the ballads. You couldn't call his ballads soft songs though, because he always brings the heavy!

37. Philip Anselmo- Phil is most famous as the singer behind Pantera and Down. In his early days in Pantera he could sing like the best of them. Obviously one who took his Rob Halford to heart, he soared with high screams and tore through fast sections with a voice unlike anything in thrash. Cememtery Gates on the legendary Cowboys from Hell just might be his finest moment. After Vulgar Display of Power his voice adopted a rougher sludgy quality that couldn't capture the power he let loose on his first three records with the band. He began to shout more and scream less. Some say he lost the range, others say he just progressed. Either way, his earliest performances will always be his best.

38. Billy Squier- Ah, how one video can ruin a career? But honestly, he can't be doing too bad now. Adam Sandler always throws The Stroke in his movies. Good royalties? Billy has a nice naturally high voice that was well-suited to early 80s guitar-driven rock. As he moved further from hard rock, his voice never got the chance to show off again.

39. Mark Slaughter- Most known for the ballad Fly to the Angels with his namesake band, Slaughter. Mark gave some of his best vocal work for Vinnie Vincent, however, in the Vinnie Vincent Invasion. His highs are perfect in the classic Love Kills and he carries the ballads just fine too.

40. Geddy Lee- Some may not be able to handle his nails-on-a-chalkboard approach. But try singing along like that sometime. He has a very disctinctive voice to say the least and without his vocals and bass, Rush just wouldn't be the same. More range than he's given credit for.

41. Biff Byford- Biff has long carried the heavy metal flag into battle. He's even trying to get it legally recognized as a religion in his native UK! His vocals are always clean and consistent in live performances and he brings the heavy metal thunder to the studio too!

42. David Lee Roth- Commanding a raspy howl and trying for highs he picked up as a fan of the Ohio Players, he added a party happy frat house flavor to early Van Halen that is forever loved. Not the best in terms of technical ability but a wondeful showman with an unequaled energy.

43. Black Lawless- W.A.S.P.'s mainman and PMRC favorite, Blackie has one of the most sinister and mischievious voices in all of metal. He has this dark but sleazy vocal delivery that perfectly represents his raw-meat flinging persona.

44. Henry Rollins- Perhaps the most commanding agressive vocalist ever. When Rollins talks, you listen. He barks orders and enlightens you philosophically through his lyrics and has a raspy shout that gets everyone standing and paying attention.

45. John Kay- In Born to Be Wild he sang, "Heav metal thunder!" He's Steppenwolf's frontman and besides being the guy pointed at for unknowingly naming a whole genre, he has a cool collected vocal style that puts one right back on a harley cruising down the open road in the late 1960s.


As always I must mention Alice Cooper, the world's greatest showman. But above, you get to hear about some of my other favorites!

And also, dont forget to check out: Paul Rodgers (Bad Company), Tom G. Warrior (Celtic Frost), Stephen Pearcy (Ratt), Jani Lane (Warrant), Tim Aymar (Control Denied), Lita Ford, Joey Belladona (Anthrax), Rusty Day (Cactus), Dan McCafferty (Nazareth), Patti Smith, Paul McCartney, Kevin Dubrow (Quiet Riot), Marc Free (King Kobra), Bruce Dickinson (Iron Maiden), Brian Johnson (Before AC/DC he was in Geordie), Mark Farner (Grand Funk) and Wino (St. Vitus).

Tuesday, September 27, 2011

The Rock and Roll Hall of Fame



Ah, The Rock and Roll Hall of Fame. It sounds like the perfect institution for all the great heroes and heroines of rock n' roll and its many subgenres. In ways, it really is. The museum itself is centered in the heart of Cleveland a.k.a. The City of Rock N' Roll. For those who don't know, Cleveland gets that title because a Cleveland DJ reportedly gave the music its name. But anyway, back to the hall. Aesthetically, it looks very nice. Once inside, there is an array of great memorabilia on display some from acts that haven't even been inducted yet. This is where the problem lies.

Every year the Rock N' Roll Hall of Fame nominates a handful of artists that can be officially "inducted" by a majority vote within the council that nominates these bands in the first place. The criteria is that any inductee must have had an album out no less than 25 years ago and supposedly they are chosen also for their impact on Rock N' Roll. Despite the fact it's a little silly that these bands that have been playing for 25+ years must be deemed worthy of induction by folks that haven't made any records themselves; the choosing seems to be moreorless a popularity contest within the council of electors. Did you know that Alice Cooper, Neil, Diamond, and Tom Waits were inducted for the year 2011 yet Metallica were inducted in 2009? Neil Diamond's first album was released in 1966 and since then he has sold 115 million albums. Alice Cooper's first album was released in 1969 and he has obtained 6 platinum albums and 3 gold albums in the US alone. Tom Waits has been around since 73 and while he hasn't achieved the mainstream success of Alice and Neil, he's a cult icon and continues to record and tour today. Metallica didn't hit the scene until 1983. They have only released 9 records and despite the fact all are platinum, only the first five albums are generally well-regarded by fans of hard rock and heavy metal. So, it's no doubt that Metallica is successful and that they have sold some albums. However, have they had the longevity of Alice, Tom, and Neil? No. Have they influenced the contemporary music scene as much as Alice Cooper? Not likely. Marilyn Manson, KISS, Twisted Sister, King Diamond, Motley Crue, Gwar, Lordi, Zodiac Mindwarp, Rob Zombie, and even the recent pop sensation Lady Gaga have sung their praises of the man and without his existence it's quite likely that those bands wouldn't exist in the way they do now. Cooper brilliantly blended rock and theatrics.

Metallica, to their credit, acknowledged the fact that their induction was a little surprising seeing as the acts they grew up on and borrowed musically from had not yet been nominated. At the ceremony they reminded the crowd of the snubs of Alice Cooper, Deep Purple, The Stooges, Iron Maiden, Motorhead, and Thin Lizzy.

So, why is that a band that wouldn't have existed without the influence of their pioneering heroes was inducted before they were? As we speak, Alice Cooper and The Stooges have finally been inducted. The other have not. They are not the only acts continually snubbed. The list of others that haven't been inducted despite a long period of eligibility are: Rush, Jethro Tull, Judas Priest, Mercyful Fate, Yes, KISS, The Moody Blues, Ronnie James Dio (And this is completely unexceptable seeing as the man fronted Black Sabbath, DIO, ELF, and Rainbow, released his first single in 1958 and is constantly listed by Jamed Hetfield of Metallica as his favorite vocalist), Chicago, T. Rex, ELO, Budgie, Uriah Heep, Journey, Cheap Trick, Screaming Jay Hawkins, The Cars, The Monkees, Emerson Lake and Palmer, Pat Benetar, Todd Rundgren, Meatloaf and Jim Steinman, Blue Oyster Cult, Boston, Styx, Supertramp, Def Leppard, Warren Zevon, Love, Gary Numan, King Crimson, Dire Straits, Nazareth, Grand Funk Railroad, Mountain, Iron Butterfly, Sweet, Slade, and Gary Numan. That's far from the end of the list unfortunately!

I was taken aback by the announcement this morning that the 2012 class will feature Guns N' Roses and The Beastie Boys. If Guns N' Roses is nominated why no Motley Crue? Motley Crue came onto the LA glam scene in 1981 when there was no LA glam scene. Their sleazy punky heavy metal set the standard for all the glam acts that followed. No Motley Crue, no Warrant, Ratt, Cinderella, Poison, or Guns N' Roses. Appetite for Destruction arrived 6 years later. By the mid 90s Guns N' Roses was no more. Since then it has been the Axyl Rose solo vehicly carrying the GNR label to sell records. In 2008 Motley Crue put out another fantastic record with the original lineup and has toured in support since. They have a new album in the works.

The Beastie Boys, don't even get me started. One could argue all day about how it's called The Rock N' Roll Hall of Fame. What is this compulsion to induct rap acts? Rock N' Roll is guitar based, derived from the blues and classical music, and features real touring bands playing live music. Guitar, base, drums, and vocals. The Beastie Boys also were some of the first folks to dabble heavy in sampling. Write your own music fellows. A song once in a while with a little sample isn't gonna hurt anyone, if you get written permission from the original composer, but to make entire songs or albums that are the product of splicing together prerecorded bits and adding raps over it...well, that's just not Rock N' Roll.

So, in conclusion, the major problem with the Rock N' Roll Hall of Fame is that they don't acknowledge artistic originality, impact, and seniority enough. Often times, they nominate bands or performers that even major rock enthusiasts have to hit up wikipedia.org for an idea of who they are while completely ignoring a man like Ronnie James Dio or Lemmy who pretty much is the living incarnation of Rock N' Roll. The man's almost 66, wakes up to Jacks and Cokes, a pack of cigarettes, and a different hot lady for breakfast and then tears up the stage worldwide while folks like Metallica, the Foo Fighters, and even Ozzy look on in awe. What's more Rock N' Roll than that?


Welcome 2 My Nightmare




The Nightmare Returns: A Review Alice Cooper’s “Welcome 2 My Nightmare.”


            How do you follow up a classic album like Alice Cooper’s 1975 solo debut, Welcome to My Nightmare? Well, I would liken it to 1983’s Psycho II. (Strangely enough a couple of other online reviewers have also used that for comparison.) You have Alfred Hitchcock’s undisputed classic of 1960s horror cinema. It’s a film so well done and memorable that along with Powell’s Peeping Tom, it kicked off a whole new subgenre of horror films. Twenty-three years after Anthony Perkins played Norman Bates, he returned in “Psycho II.” I firmly believe, as do a lot of horror fans that “Psycho II” just might be one of if not the greatest sequel there ever was. It’s only flaw, it’s not the original. The original is better only because there was nothing else like it in the time it was released. It took the world by surprise, it broke taboos, it had us on the edge of our seats, and it will always have a special place in our hearts because of it.

            Welcome 2 My Nightmare is very much like Psycho II. Not in terms of plot or even medium. It’s similar in that had the original not done it first, it would have that place in our hearts the original holds.

            Welcome to My Nightmare featured the classic songs, “Only Women Bleed,” “Cold Ethyl,” The Black Widow,” “Devil’s Food,” “Some Folks,” “Steven,” “Escape,” “Department of Youth,” and the creepy spoken tracks by our protagonist Steven, “The Awakening,” and “Years Ago.” Oh, and don’t forget the title track! Each song worked together to tell us something about Steven. It was Steven’s story; a tale that touched on domestic abuse, childhood abandonment, arachnophobia, necrophilia, escapism, nightmares, and murder. (Pretty progressive for 1975.)

            From the lyrics of these songs, we learn that Steven is a tormented man child who may have killed his wife without even knowing it. Like Norman Bates, he is hinted to be a schizophrenic. Take for instance the lyrics, “I’m a little boy. No, I’m a great big man.” “I’m a little boy” is said from the perspective of a child, high prepubescent voice included. “No, I’m a great big man,” is bellowed in a deep masculine voice. Steven is haunted by scary dreams of spiders, death, and abuse which give us further evidence that our main character is psychologically damaged. “Escape” is his big sendoff; words that imply that Steven has temporarily awaken from his nightmare and realizes his only option is to run away and disappear. Though we know running isn’t going to solve his mental problems and that’s why, 36 years later, we have a sequel.

            The first track of the new album opens with the familiar eerie keyboard of “Steven” from the original. Then we launch into the new nightmare. One disappointing factor, right off the bat is the fact that they auto-tuned Alice’s vocals for the first verse of the first song, “I am Made of You.” It’s an effect overused in modern music and robs the impact of the first verse’s lyrics. Once you get past it, the song itself is great. It has some great reflective lyrics, a haunting chorus, and awesome instrumentation. 
            
             Track 2, “Caffeine,” is an infectious hard rocking number with awesome vocal delivery on the chorus. Track 3, is almost like “Awakening.” It is a song with powerful guitar and keyboard work and it also lets us hear from Steven. He’s still having nightmares and in fact, he’s too scared to sleep now because of them, hence his dependence on caffeine.

            Track 4 is where the musical experimentation really kicks off. “A Runaway Train” is a southern rock infused track that features country star Vince Gil on lead guitar. Yeah, it’s strange but this album features a ton of collaborations and one more shocking than Mr. Gil. But for now, we’re on to track 5. “The Last Man on Earth” sounds like a Tom Waits song. Alice even adopts a rough and gruff vocal style for this one. 


            Track 6, “The Congregation” makes it clear that we’re actually in hell at this point. Rob Zombie makes an appearance as our tour guide and one of the highlights from his spoken word is when he tells about the boiling pit of death where we can find defrocked priests, pimps, telemarketers, and the guys from Wall Street! Track 7, already a live favorite, is called “I’ll Bit Your Face Off.” It’s about his romance with an unstable woman and musically it will remind you of a Rolling Stones tune. 


            Track 8 is where things begin to really get weird and I mean that in the best way imaginable. “Disco Bloodbath Boogie Fever,” is a techno, industrial, dance club parody that features lyrics about mowing down the disco with a machine club and stacking their bodies on the dance floor. Track 9 is a surf rock, rockabilly, Beach Boys go metal type of song that is musically and lyrically foot-tapping. 


            Track 10, “Something to Remember me By,” was reportedly written by Alice and Dick Wagner in the Alice Cooper Goes to Hell days and it does sound like “I Never Cry” from that album. “When Hell Comes Home” is the first song to feature the original Alice Cooper group since 1974’s Muscle of Love. It is a dark violent song about an abusive father and the little boy “putting one between his eyes.”


            Remember when I said Vince Gill wasn’t the strangest addition to this album? Track 12, “What Baby Wants” is a duet with pop star Ke$ha. Surprisingly, it rocks! Ke$ha’s a sex-starved demon trying to seduce Steven to no avail. “You like my pretty mouth,” she sings. “Yeah but you got razor blades instead of teeth!” Track 13, “I Gotta Get Out of Here,” is Steven recounting the adventures from previous songs and begging to wake up from the nightmare he doesn’t want to finish. A hell choir tells him it’s not a nightmare anymore and that he’s really dead and he’s in hell. The song ends with “yeah, yeah, yeah.” Steven is eternally in denial of his fate. Track 14 wraps up the album with an instrumental amalgam of sounds from every song on both Nightmare  albums.

            Overall, Welcome 2My Nightmare is a great end to Steven. It’s a crazy carnival from hell and I would not expect anything less from the king of shock and horror theatre. If you’re the slightest bit tempted to buy this record, do it! Indulge. The Coop never went away so I can’t say he’s returned. He has, however, made a very good album. Its part rock, pop, metal, southern rock, techno, classical, surf rock, garage rock, glam, rockabilly, and blues. And it’s all Alice. 


© 2011  All rights reserved. Material may not be reproduced without prior written consent from Chris Petry. Chris may be contacted through email at:  petry.chris@yahoo.com